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Genres musicaux : Ambient - New Age - Spiritual - Classic - World

Elina Duni Quartet: "Matanë Malit".

During this week from the 3th to the 9th of December, at 12:00 AM and 12:00 PM (Madrid Time), you can listen to excerpts from the new album of Elina Duni Quartet: "Matanë Malit".

Elina Duni Quartet - Matanë Malit

Elina Duni Quartet
"Matanë Malit"



 Review from www.elinaduni.com



"Matanë Malit" (Beyond the mountain), Elina Duni’s ECM debut, is an hommage to Albania. A singer looking at her roots from a present-day vantage point as a musician engaged in improvisational processes. Jazz experience informs her exploration of Balkan folk songs Ð with attention to atmosphere, the shape of the sound, the tactility of the structures, the implications of the wordsÉ ItÕs about serving the song, she explains, and about reclaiming and reinventing it.

Duni was just 10 when she left Albania in 1991, and found her route to its songs only after forays into classical music, blues and jazz standards. At the urging of Colin Vallon, she began to sing in Albanian in their duo, formed in 2004 while both were studying at Berne’s Hochschule der Künste: ÒI simply fell in love with the old songs, and discovered that not only could I sing them and feel them but that this was really my voice, emerging in a very natural way.Ó It was as if, it had been waiting to be activated, she says,. As a child growing up in Tirana, Duni had had little contact to folk music. Folklore, co-opted by the state, had become agitprop material for socialist themes, and Duni’s family – like many intellectuals and artists - distanced themselves from it.

Now however Ð as the duo became a trio, then a quartet - she began to explore the music of Albania in earnest, digging deeper into the regionÕs troubled history, uncovering many songs of real beauty and power, older songs from her homeland and from its vast diaspora. “Matanë Malit” includes songs of lovers, heroes, workers, shepherds, exiles, songs of resistance. Traditional songs arranged by Elina Duni Quartet, and new music expressively moulded in the tradition.

Over the last several years, her quartet has bloomed into a subtle unit of broad artistic reach. They make the integration of modal jazz and folk music sound organic. And, reinforcing DuniÕs stark delivery, the players seem to get inside the texts. “We focus all the intensity that this poetry needs. We have tried to convey its essence through our musical interpretation. To me, all improvised music is a jazz state of mind. We feel no obligation to play a song the same way twice.”

Colin Vallon, who has long counted singers amongst his most profound influences, often seems like an answering voice at the piano. Bassist Patrice Moret brings his keen choice of notes to both the Elina Duni Quartet and the Colin Vallon Trio, and interacts persuasively with drummer Norbert Pfammatter. Leader Duni recognizes that it is what they create together that is important. “I never wanted to be a singer with backing trio. From the beginning I gave a lot of space to the musicians for improvising, and experimented also with my voice. It’s another instrument. Over time, we have built up an understanding that allows us to go anywhere...”

After two albums for Meta Records - "Baresha" and "Lume Lume" (2008 and 2010) “Matanë Malit” takes the work to the next level. The new album was produced by Manfred Eicher at Studios La Buissonne, near Avignon, in February 2012.

The Duni Quartet takes its music on the road this autumn and winter, with concerts in France, Germany, Switzerland, Austria and the Balkans.

Posted on 2012-12-03 00:39:59.98